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Tuesday, November 10, 2015

"Church Cancels Cow" by Amy Hempel

Pheasant feathers in a plastic jack-o’-lantern–this is the way people decorate graves in October across from my house. In winter they tie wreaths to the stones like evergreen pendants in December. The halved-apple faces of owls on a branch will spook you, walking at dusk as I do with my dog who finds the one real pumpkin, small on a stem, and carries it off and flings it and retrieves, leaving on the pumpkin the marks of her teeth, the only desecration in these rows of tended plots.

Or not, according to the woman at the wheel of the red Honda Civic that appears from behind the Japanese maple and proceeds past the hedge of arborvitae where she slows and then rolls down her window to say, “You should keep that dog on a leash.” She says, “That dog left faces on my mother’s grave.”

When I realize she means feces, I say my dog didn’t do it. She says yes, my dog did it. I say, “Did you see this dog leave feces on the grave?” She says, “I found faces on my mother’s grave. I had to clean them off.” I say there are other dogs that walk here. I say my dog goes in the woods before the place where the headstones start.

I leave her talking to me from her car. I walk away with my dog in the direction of my house, and she follows in her car so I turn back around and lead her through the cemetery and sit down on a random grave and take a wire brush from the pocket of my coat and begin to groom my dog, brushing slowly from the ends up to the skin so as not to tug and hurt her. I stay where I am until the woman drives away, and I stay until she reappears. When she leaves the second time, she leaves rubber in the road.

For days I see her car across the street, parked on the little-used access road, her at the wheel just watching my house where my dog patrols the yard, unmistakable dog. I write down her license plate number, so what. I pull weeds with my back to her. And after thoughts of worse things than bricks coming flying through the windows of my house, I pull off grass-stained gloves and cross to her car and say, “You know, I’m on your side about this. I have relatives buried here, and I don’t want to find faces on their graves.”

She says, “You have relatives buried here?”

For peace of mind I will lie about any thing at any time.

In fact, she says, she has counted three dogs the other day from her car. Like counting cows, in the game I played in cars when the family went out on long drives. My brother and I were told to count cows in the fields we passed along the way, me counting cows on one side of the road, my brother counting cows on the other. But if we passed a church, the person on whose side the church appeared had to start their count over again.

Why did church cancel cow? The question was not a question back then, and when I try to think why, the best I can guess is–because we were having fun? Until I mention it to my brother who says, “Don’t you remember? You don’t remember. It was cemetery, not church, that cancels cow.”

And why it comes to me now.

"The Solidarity of Fat Girls" by Courtney Sender

It is your luck to be the brother of three fat girls.
They have insisted on the moniker. “We are fat girls,” Elsie has told you.  “If you don’t accept it, who will?”
“Don’t say that,” you have replied, hopelessly. “You’re beautiful,” and she has kissed your forehead wetly, like an aunt—she is thirteen years your senior; she relishes that word girls—and said, “Exactly.”
Elsie is the fattest of the three fat sisters. She once tried to be a plus-sized model, but size 18 was too large, so she has accepted a job writing copy for a crafts catalogue.

You recognize that there are two kinds of girls: fat girls and thin girls; and within those, there are two kinds of girls: those who know which they are and those who don’t.
Your sister Geraldine might defy categorization, a middle-sized girl with stolid thighs. But she’s identified herself as a fat girl, so she asks people to pull in their chairs before squeezing past; she never just squeezes.
Geraldine is the type of babysitter whom the parents love and the children hate until they’re much older. She takes you with her to her charges’ houses, where you meet their working mothers.
Your mother has been gone for over a decade. She did not love you. This breaks your sisters’ hearts but disturbs you very little, because you feel so abundantly mothered.

Your three sisters look the same to you, distinguished by the clarity of the hemispheres below their necks and by minute emphases: Elsie’s plucked eyebrows, Geraldine’s missing tooth, Karen’s sallow cheeks.
Karen is a thin girl who used to be a fat girl, this by dint of extended illness. She misses her old body.
“You’re beautiful, Karen,” you tell her, once the cancer has stolen her breasts and scooped out her insides, leaving her without organs on which to store fat.
She says, “I feel naked.”
You don’t understand. She says, pressing your head to her blanket-swaddled chest, “I’ve lost the layer between me and the world.”
Your mother does not come back. Your sisters hold out for her return, whispering, “We won’t let her,” “She doesn’t deserve him,” “We’re doing well by him, aren’t we?” refusing in advance to surrender you.

You don’t remember courting girls. You have the air of being-cherished about you, so it’s easy to cherish you; you seem to demand it.
You almost marry a fat girl who knows she is fat. She doesn’t assume that people’s brothers should love her. You couldn’t love someone who did.
Your remember this: taking the sweater off your back, tugging it over Karen’s hollow chest.
“No,” said Geraldine, pulling you from the casket.
“She feels naked,” you said.

The night before your wedding, you run away. Elsie is certain you’ll be at Karen’s grave. Your fiancĂ©e wants to stay home, crying cross-legged before her mirror, but Geraldine revs the pickup and says Get in.
Without you they drive carefully, imagining you watching. They do it first because it is their instinct and second because, if they are careful enough, maybe you will come back to them.
But you are not at the graveyard. You are not on the streets. Your sisters search all night, crying your name through the dawn, but their soft bodies grow tired and they don’t ever find you sitting just above them in the hollow of a tree, neck thrown back, arms stretched up, reaching for the belly of the moon.


Ernest Hemingway's Shortest Story



"For sale: baby shoes, never worn" -Ernest Hemingway